Malcolm Le Grice Movies

Rocky, granite outcrops, a derelict quarry-worker and Dartmoor prison.

Dark Trees starts with a view from a window in silhouette through which one sees a garden, tall trees, rooftops and the sea. This scene orientates...

[Originally] six virtual screens matted into three Blu-ray projections. First exhibited at the Centre Multimedia Gantner in 2011, then on an...

Arbitrary Logic, an interactive audio-visual synthesiser was first presented under the working title Osnabruk at the Osnabruk festival of 1987 and...

Self Portrait looks for an approach to a specific relationship between the duration of a work and material conditions in the projection as did...

This film is the beginning of an examination of the perceptual and conceptual structures which can be dealt with using pure colour sequences in loop...

A simple event becomes rhythmically complex through changes of speed and multiple superimposition. The title refers to the inevitable inclusion of...

An encounter with a small man-made waterfall presented in a triptych format.

This multi-image work is based on Le Grice's longer, color-field film-loop installation Joseph’s Coat (1973).

‘Critical Moment One’ was an un-planned recording of a one-year old boy exploring shells and sand on a beach. Though the boy was my own...

Colour - Water –Rain – not a water colour – bougainvillea in extreme close-up – touching the lens – swimming pool below...

Four simple changing colour loops are projected continuously into the corners of a gallery space - a form of site specific film sculpture. film-loop...

A re-worked version of Your Lips 1 with multiple colour superimpositions. Originally shown with a soundtrack from computer artist Alan Sutcliffe but...

"This is a two screen film where a full frame colour field slowly changes from blue to towards green over a period of about six minutes. The film has...

Found film sequences brought together in the paranoia of the cold war and Vietnam.

A white screen marked only by a scratch running across clear celluloid activates an intense perception of projection time. A double-projection work.

Directed by Malcolm Le Grice. "It nears the end of the political paranoid works using found military documentary images. It explores a complex form...

A film made with found newsreel footage combined with sequences of a flashing light bulb. It is projected with a real flashing bulb hanging in front...