Maurizio Ponzi Movies

Guelfo is a Florentine noble who has never worked and has no money. On the death of his mother, he believes he can inherit a large fortune, but from...

Three different couples are looking for a house to live.

Mario, a tram-driver, and Silvio, a banker, make friends in the group of participants in a survival training course.

Francesco, nicknamed 'Toscano', is a very good pool player but he never wins when he plays for money. He meets Chiara, a saxophone player, on a late...

A complete and never-before-seen portrait of the life of a young girl from Pula (Istria) who quickly became one of the most famous and beloved...

Ugo Maria Volpone is a very rich shipowner. He dissimulates to be close to die in order to have the attention of three of his friends: Corvino,...

A single mother is trying to trace previous partners in order to help her fund a life changing operation for her blind son.

Carabinieri's lieutenant Duilio Cordelli is in charge of investigating fake banknotes traffic. He discovers that a 60 billion lira bank robbery is...

When young cop Andrea is assigned to keep watch over dangerous Godfather Sante, who's in hospital after a fake suicide attempt, the stage is set for...

Annetta, of Sicilian origins, is annoyed by the different treatments and freedoms reserved for men and women. Because of her rebellious attitude, the...

Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front...

1965, a train with a variety of passengers is heading north when it makes an unexpected stop. On the other track, heading south, a train passes with...

Francesco Maselli pitched this documentary to the CGIL, CISL, and UIL trade unions as part of the 1.5 million people protest march on November 12,...

A beautiful smiling guy's walking on the streets of a city, bringing with him a large paper poppy. The boy is the goodness and innocence of youth,...

Reflections on the first films of Pier Paolo Pasolini with his considerations on the real language of cinema.